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Orpheus Descending by Tennessee Williams
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Orpheus Descending

by Tennessee Williams

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I read this play in college and then had the great pleasure to play a minor roll in it. The dialogue is entrancing, the story captivating and the characters are perfectly flawed. This is Williams dark horse that does not get revived enough. ( )
  Tryion | Mar 25, 2008 |
I fell in love with this play when I saw it performed at the Stratford Festival in 2004. It is heartbreaking and beautiful. This was my first exposure to Williams and I was hooked. ( )
  misscatie | Dec 17, 2006 |
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Amazon.com Book Description (ISBN 0811214729, Paperback)

Fugitive Kind, one of Tennessee Williams's earliest plays, is one of his richest in dramatic material. Written in 1937 when the playwright was still Thomas Lanier Williams, Fugitive Kind introduces the character who will inhabit most of his later plays: the marginal man or woman who, through no personal fault, is a misfit in society but who demonstrates an admirable will to survive. Signature Tennessee Williams' characters, situations, and even the title (which was used as The Fugitive Kind for the 1960 film based on Orpheus Descending) have their genesis here. At age twenty-six, Williams was still learning his craft and this, his second full-length play, shows his debt to sources as diverse as thirties gangster films (The Petrified Forest, Winterset) and Romeo and Juliet. Fugitive Kind, with its star-crossed lovers and big city slum setting, takes place in a flophouse on the St. Louis waterfront in the shadow of Eads Bridge, where Williams spent Saturdays away from his shoe factory job and met his characters: jobless wayfarers on the dole, young writers and artists of the WPA, even gangsters and G-men. Fugitive Kind was also Williams's second play to be produced by The Mummers, a St. Louis theatre group devoted to drama of social protest. Called "vital and absorbing" by a contemporary review in The St. Louis Star-Times, this play reveals the young playwright's own struggle between his radical-socialist sympathies and his poetic inclinations, and signals his future reputation as our most compassionate lyric dramatist.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:53 -0400)

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