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Amazon.com (ISBN 0152020152, Hardcover)Feuds among the mountain folks of West Virginia and Kentucky, particularly the bloody skirmishes between the Hatfield and McCoy families, are often celebrated in American legend and folksongs. In The Coffin Quilt, Ann Rinaldi mines this rich vein of Americana for a fascinating tale that closely follows the real events of the Hatfield-McCoy feud, but which also has implications for our own violent times. Rinaldi--known for Cast Two Shadows, An Acquaintance with Darkness, and other historical fiction novels for teens--suggests in her author's note that "the Civil War conditioned men who fought in it to kill and to hate." Consequently, men came home from the war to their mountains with minds and rifles primed to react to the slightest trespass upon their exaggerated loyalty to kinfolk. The story is told by Fanny, the youngest of the fourteen McCoy children, who traces the beginnings of the famous feud to a confused Civil War shooting and a dispute over a herd of pigs. When her favorite older sister, the beautiful Roseanna, runs off with handsome Johnse Hatfield, it's like a bucket of gasoline thrown on the smoldering hatred between the two families. Warned by the apparition she calls Yeller Thing, Fanny is nonetheless a helpless witness to ambushes and killings, burials and retribution. Too late she realizes that Roseanna's obsession with sewing a traditional but gruesome coffin-decorated quilt is a sign of her evil attraction to deliberately stoking the fires of the feud--providing a psychological thriller ending for this dramatic tale of hillbilly love and revenge. (Ages 10 to 14) --Patty Campbell(retrieved from Amazon Fri, 24 Apr 2009 07:58:08 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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This has always been a powerful story. The senseless violence between the Hatfields and the McCoys spawned the feuding families in Mark Twain's Huckleberry Finn. Here the story is told through the eyes of a child who has grown up with the hatred and cannot seem to grasp the reasons behind it all as she grows up. In some ways I think the story would have benefitted from being told from Roseanna's point of view - but the insider/outsider perspective of the youngest daughter - part of the family, but not part of the decisions or the fighting - allows a certain distance in closeness that magnifies how pointless the feud really was.
At times, however, I felt like the narrator was simply too detached from the action. She doesn't really react to the killings as emotionally as I would have expected. She seemed very cut off from the rest of her family and their hatred - which baffles me, especially when the Hatfields kill her favorite brother. The book is very much a family drama - Fanny trying to decide how to cope with her zealously religious mother, her overbearing sister, her bloodthirsty brothers, and her implacable father and grow up. I simply didn't see as much fallout from the feud and how devastating it must have been as I wanted. The feud seemed more of a backdrop than the point of the story.
Good, but not what I was expecting (