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Nine Stories by J. D. Salinger
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For Esme-With Love and Squalor, and Other Stories

by J.D. Salinger

MembersReviewsPopularityAverage ratingConversations
5,69134306 (4.19)39
Info:

Penguin Books Ltd (1994), Hardcover, 160 pages

Member:TonyH
Collections:Your library, FavoritesRating:*****
Tags:fiction, read
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English (31)  German (1)  Dutch (1)  Spanish (1)  All languages (34)
Showing 1-5 of 31 (next | show all)
a great short story collection. ( )
  19692 | Nov 8, 2009 |
Because this is a book of short stories, I feel differently about each. Some I felt I just didn't understand fully and others just didn't move me. There were four I loved-- in this order -- Teddy, The Laughing Man, For Esmé - with Love and Squalor, and A Perfect Day for Bananafish. Teddy was incredible. ( )
  wandereux | Nov 4, 2009 |
Mr. Salinger will never get below a five in my book. ( )
  Anagarika | Nov 3, 2009 |
These nine Salinger stories evoke many of the same sentiments in Catcher in the Rye - adults are screwed up and being a kid sucks. Though worthy themes to explore, I simply found this collection a bit dry. Though well-written impressionistic vignettes, nothing really happens in these stories. I liked them, but was disappointed overall. ( )
  NateJordon | Oct 29, 2009 |
Nine Stories has all the undertones of that classic Salinger off-beat, retro stamp and it is often overshadowed by A Catcher in the Rye and Franny and Zooey despite being a small masterpiece in its own right, but I was apprehensive about picking up the short story collection all the same. It is rather silly to hold on to a writer’s more established and acclaimed work and not venture out to slightly unchartered territory specially when this reader realized that it was not quite unchartered territory for her after all.

Moreover, it feels strange to revisit Salinger’s unique world not merely because his eclectic turns of phrases and marginalized characters make the reader yearn for the yesteryear and a world gone by, but it is also an odd contrast to modern literature and life. Salinger’s oddball, somewhat hostile, and always beautifully vulnerable gang struggling in a pedantic and square world have an immense cultural significance. Indeed, the Rockwellian undertones of Salinger’s pen feels slightly uncomfortable to today’s discerning viewer. In this day and age, intimate friendships and conversations between precocious children and adult men are seen as unnatural if not immediate cause for alarm which is a poor, poor reflection of our society and its crumbling mores. Salinger understands and treats young adults with dignity and serious aplomb which is quite bittersweet and worth revisiting if only to reclaim our own displaced sense of wonder and childlike innocence. ( )
  saroshig | Apr 11, 2009 |
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Series (with order)
Canonical Title
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
To Dorothy Olding and Gus Lobrano
First words
There were ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noon till almost two-thirty to get her call through.
Quotations
Life is a gift horse in my opinion.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers

References to this work on external resources.

Wikipedia in English (2)

Nine Stories (Salinger)

Pretty Mouth and Green My Eyes

Book description
aka Nine Stories in the USA

Amazon.com (ISBN 0316769509, Mass Market Paperback)

In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him.

The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grownups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed."

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

(see all 2 descriptions)

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