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The Crossing by Cormac McCarthy
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The Crossing

by Cormac McCarthy

Series: Border Trilogy (2)

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Showing 1-5 of 14 (next | show all)
Our hero wanders about the southwestern American countryside and crosses into Mexico several times, sleeps on the plains, waters the horses, and looks at the stars. But the pages and pages of tranquility are broken, suddenly and without warning, by violence and horrific sights. Probably better than "All the Pretty Horses", but certainly not easy to read. ( )
  alissamarie | Oct 25, 2009 |
Our hero wanders about the southwestern American countryside and crosses into Mexico several times, sleeps on the plains, waters the horses, and looks at the stars. But the pages and pages of tranquility are broken, suddenly and without warning, by violence and horrific sights. Probably better than "All the Pretty Horses", but certainly not easy to read. ( )
  alissamarie | Oct 25, 2009 |
Our hero wanders about the southwestern American countryside and crosses into Mexico several times, sleeps on the plains, waters the horses, and looks at the stars. But the pages and pages of tranquility are broken, suddenly and without warning, by violence and horrific sights. Probably better than "All the Pretty Horses", but certainly not easy to read. ( )
  alissamarie | Oct 25, 2009 |
Amazing. The comparisons to Faulkner and Hemingway are apt but there's the Latino flavor too. I'm not just referring to the setting in Mexico or the copious use of Spanish.

(And I could understand almost all the Spanish! This would be a good novel to recommend to second semester Spanish students--a good motivator to learn more.)

There's also the feeling of Latino literature. The way many LA writers tell a tale. The Mexican characters verge on the allegorical or the magical realist. I thought of how Fellini would film this--the caravan of actors, the opera singer bathing, the nameless girl barely escaping the gang of ladrones/rapists/murderers.

And the way the Mexican characters talk! Big themes, the meaning of life, God, civil war. Contrast this with the laconic (though colorfully idiomatic) language of the American characters. Or should I say the characters when in America?

Finally, very near the end, we get about a paragraph's work of self talk from Billy, told to an unsympathetic gringo who happens upon his campfire. What's that all about? How much has Billy learned? ( )
1 vote Periodista | Jan 14, 2009 |
The Crossing, by Cormac McCarthy is the second novel in the border crossing series (All the Pretty Horses, The Crossing, Cities of the Plain). It details various journeys by the main character and the protagonist, Billy Parham. It is called The Crossing because it literally depicts Parham crossing the border between the United States and Mexico. He crosses the border 3 times, and in those 3 crossings he has extensive, dangerous, long and arduous journeys. The book takes place in the late 1930’s, and the book depicts Parham when he is a 16 year old boy and growing up. Every time Parham crosses the border, he is attempting to accomplish a task, and his crossings take place over a number of years. The book takes on a much darker and more somber tone than the previous book, All the Pretty Horses, as Billy takes on a more personal journey in his search for self.
Our theme this quarter was the search for self. In All the Pretty Horses, Parham is constantly on a search for who he is, and what is his purpose. He is a boy at the start of the novel with only 16 years of age, and by the end of the novel he is 21, and has spent 5 years wandering the countryside of Mexico, Arizona, and New Mexico. This book starts with Parham trying to take a she- wolf back into the mountains of Mexico. In this journey and all the other journeys Parahm embarks on, he goes attempting to accomplish a task. It is in this task he is attempting to find out his purpose, and who he is. This book is sad because towards the end of the novel, he just begins to realize more and more he does not know who he is, or what his purpose is. He feels though he failed in his goal. His search for self is long, arduous, and saddening. It is a perfect example of blind effort, and the reader feels all the pain Parham feels in his search for self.
I would recommend this novel if you have read All the Pretty Horses and enjoyed it. This book is longer, and is much more depressing and sad. The setting in the deserts of Mexico and Arizona is the same as in All the Pretty Horses and the appeal of the wild of Mexico is really intriguing. In summation, I would give this book about 3.5 out of 5 stars. It was not as good as All the Pretty Horses, but The Crossing in my opinion is yet another classic of American Literature and a search for self. ( )
  wrhazel | Dec 8, 2008 |
Showing 1-5 of 14 (next | show all)
Mr. McCarthy, because he is interested in the mythic shape of lives, has always been interested in the young and the old or, if not the old, then those who have already performed some act so deep in their natures (often horrific, though not always) that it forecloses the idea of possibility. "Doomed enterprises," Mr. McCarthy's narrator remarks, "divide lives forever into the then and the now." So "The Crossing" is full of encounters between the young boys, who look so much like the pure arc of possibility, and the old they meet on the road, all of whom seem impelled, as if innocence were one of the vacuums that nature abhors, to tell them their stories, or prophesy, or give them advice.
added by eereed | editNew York Times, Robert Hass (Jun 12, 1994)
 
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Cormac McCarthy

The Crossing (novel)

Book description

Amazon.com (ISBN 0679760849, Paperback)

The opening section of The Crossing, book two of the Border Trilogy, features perhaps the most perfectly realized storytelling of Cormac McCarthy's celebrated career. Like All the Pretty Horses, this volume opens with a teenager's decision to slip away from his family's ranch into Mexico. In this case, the boy is Billy Parham, and the catalyst for his trip is a wolf he and his father have trapped, but that Billy finds himself unwilling to shoot. His plan is to set the animal loose down south instead.

This is a McCarthy novel, not Old Yeller, and so Billy's trek inevitably becomes more ominous than sweet. It boasts some chilling meditations on the simple ferocity McCarthy sees as necessary for all creatures who aim to continue living. But Billy is McCarthy's most loving--and therefore damageable--character, and his story has its own haunted melancholy.

Billy eventually returns to his ranch. Then, finding himself and his world changed, he returns to Mexico with his younger brother, and the book begins meandering. Though full of hypnotically barren landscapes and McCarthy's trademark western-gothic imagery (like the soldier who sucks eyes from sockets), these latter stages become tedious at times, thanks partly to the female characters, who exist solely as ghosts to haunt the men.

But that opening is glorious, and the whole book finally transcends its shortcomings to achieve a grim and poignant grandeur. --Glen Hirshberg

(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400)

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