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Walking on Water: Reflections on Faith and Art (Wheaton Literary Series) by Madeleine L'Engle
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Walking on Water: Reflections on Faith and Art (Wheaton Literary Series)

by Madeleine L'Engle

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Revelatory insights about the nature of art and how it relates to Faith. Madeleine L'Engle is so honest, she can't help but inspire. ( )
  SirRoger | Aug 5, 2008 |
Thought-provoking book. From the author of "A Wrinkle in Time", reflections on what it means to be a Christian artist. Not in the sense that "Christian art" is being made, but instead, how is faith involved when an artist who happens to be a Christian creates a work of art? When Bach composes a fugue, or when Michelangelo sculpts a masterpiece? Or, for a more contemporary example, think of U2, a band where at least some of the members considered not persuing a secular career lest it be contrary to their Christian faith. How would their lives and music have been different? Would Bono have had the impact, or been able to accomplish all that he has?
In addition to some great thoughts to contemplate, this book is a little gold mine of wonderful quotes on the arts.
"The author and the reader know each other; they meet on the bridge of words."
"Every work of art is the discovery of a new planet; and it may well be a hostile one." ( )
1 vote PCGator | Mar 20, 2008 |
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for Bion and Laurie
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The apple trees in the orchard at Crosswicks are growing old.
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Wikipedia in English (4)

A Swiftly Tilting Planet

A Wind in the Door

Haole

Places in the works of Madeleine L'Engle

Book description

Amazon.com (ISBN 0877888965, Paperback)

Walking on Water collects 12 brief meditations by Madeleine L'Engle on the nature of art and its relation to faith. L'Engle, the beloved author of A Wrinkle In Time among others, has written and spoken widely and wisely about the connection between religion and art. The gist of her understanding is as follows:
To try to talk about art and about Christianity is for me one and the same thing, and it means attempting to share the meaning of my life, what gives it, for me, its tragedy and its glory. It is what makes me respond to the death of an apple tree, the birth of a puppy, northern lights shaking the sky, by writing stories.
She believes that "[b]asically there can be no categories such as 'religious' art and 'secular' art because all true art is incarnational, and therefore 'religious.'" And "incarnation," in L'Engle's view, means "God's revelation of himself through particularity." In this book there is some slippage between L'Engle's autobiographical and critical voices. As a result, she often claims Christian significance for works whose meaning is not intentionally Christian. She admits this freely:
[B]ecause I am a struggling Christian, it's inevitable that I superimpose my awareness of all that happened in the life of Jesus upon what I'm reading, upon Buber, upon Plato, upon the Book of Daniel. But I'm not sure that's a bad thing. To be truly Christian means to see Christ everywhere, to know him as all in all.
-- Michael Joseph Gross

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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